Software for radio ads
Write · voiceover · mix · ship
Radio-ready spots and promos in one app, from copy to leveled file.
Grand opening this Saturday, 20% off your first visit…
For people who make radio ads at a station or for clients. You write your own copy; then you add a natural voice, background music, and one finished sound file you can send or play. In practice that can be a complete spot in under a minute. No full studio for every small job.
The problem
Small ads still need a voice, music, and one correct audio file.
A store line or a last-minute change is not a full TV shoot, but you still need someone to read the words, music under it, and a file at the right loudness. Today that often means waiting on other people or jumping between different apps and email. qwik.ad puts those steps in one place so you go from your text to a file you can hand off, without pretending every quick job needs a big studio day.
Waiting on other people
Studios and voice talent are booked ahead. Your client wants the ad today, not next week.
Too many separate steps
Voice in one tool, music in another, files in email. Same ad, scattered everywhere.
Hard to keep things together
The script and the recording should sit with the same client name so nothing gets lost on the way to the air.
Sample
Reference pass from the app.
One full chain in the app. Your copy, read, and music will differ.
How it works
One app: voiceover, background music, mix, export.
We give voice to your creativity, and the whole production wrap after your script: voiceover, mix, mastering, and a finished file for traffic and automation. Let us carry the read and the signal chain; you keep the mind, the line, and the why. qwik.ad is a serious lane for people who already think in spots, not a toy that pretends to invent the idea for you.
In-app voiceover library
Browse reads, generate, re-run. No separate voiceover service or plug-in.
Delivery controls
Language and style before you generate, so fewer bad first takes.
Music + ducking
Stock library or your file. When you want a hand, AI-assisted auto ducking tucks background music under the voiceover so each keeps air in the mix. Everything stays editable on the timeline.
Per-client bins
Script and audio stay with the advertiser, which makes traffic and handoffs easier.
Write view / mix view
Compose, then switch to a layout focused on background music and meters.
MP3 / WAV out
Full mix or voiceover-only stem. Same formats automation and sales already expect.
Compare
Outside production vs. in the app.
FAQ
Built-in library of synthetic reads: pick one, generate, re-run if the take is wrong. No extra voiceover vendor. Monthly cap is characters generated, not “minutes.”
MP3 and WAV for the mixed cut; voiceover-only stem when you need it. Same formats traffic and automation already take.
Each generate burns script length from your plan (or team pool). Numbers are on Pricing. Unused usually does not roll over; plan for the month you’re in.
Yes: checkout terms say what happens when you turn off renew. You typically keep access through the period you paid.
You. Copy, music, and how you use the voiceover on air or in market: that’s you, your client, your lawyer. We sell the tool.
File types are what you’d load into playout. Whether the spot clears legal, network, and station rules is still on you.
Run a real script through it.
Sign up with copy you’d actually traffic. Then hear voice, music, and mix in one chain and pick a tier.
Get started